25/06/2017

Gremlins

               
What could easily have been a silly, enjoyable, yet forgettable film about cute fluffy creatures that become evil when fed after midnight turned out to be a minor classic. The extra layer of this cake is made partly of Reagan era consumerism commentary and partly of commentary on its own wider genre of kid friendly creep-out films and Spielberg blockbusters, and it's yummy. If you're in a stupid mood, though, you can scrape it off with your brain knife and just watch the film as a goofy comedy horror. What's rare about this one is that it works both ways, and much like things like 'Poltergeist' it's very much of its time and isn't the kind of thing that can ever be re-made, it's simultaneously timeless and as enjoyable now as I imagine it was on first release.
                    
                  
It's simply written and much of the acting is intentionally goofy, but I still think the human element was the weakest of the film. The characterisation was cartoonish, especially with the main character kid, the evil land lady, and the wacky inventor father. None of the characters are particularly complex or realistic, and the arc of those of them that possess one can be seen a mile off. 90% of this feels in keeping with the rest of the film though, and it mostly felt smart and self-aware rather than dumb and simple. Maybe 80%.
                   
              
After a deceptively slow burning first half, the second kicks it up a gear as the gremlins literally take over the whole town. It's fun seeing them smoke and drink and eat and watch films (they're crazy for 'Snow White'). The effects on the gremlins were fantastic; there was lots of detail and little movements. I was often struck by how un-puppet like they looked (the first time this happened was when Gizmo was pretending he was driving a car. Something about the way his movements flowed and the natural way he blinked. Anyway, there were times when they definitely did look like puppets too, but despite pushing it the film never makes them cross over into out-right sillyness. They were always creepy enough for that final death scene for Stripe to still somehow be alarmingly gory.
                         
Gremlins: 70.9